FRAMES CINEMA

Tag: the bear

  • Screen Actors Guild Awards 2024 – Tutti i vincitori

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    Si è tenuta il 25 febbraio la 30ª edizione degli Screen Actors Guild Awards, evento organizzato dal sindacato statunitense degli attori. La cerimonia, avvenuta allo Shrine Auditorium and Expo Hall di Los Angeles, per la prima volta è stata mandata in onda dal vivo su Netflix.

    Oppenheimer ha trionfato, ottenendo i premi per il miglior cast cinematografico e per le migliori performance (Cillian Murphy e Robert Downey Jr).

    Sul fronte televisivo Succession è stata giudicata la serie drammatica con il miglior ensemble e The Bear ha guadagnato la stessa statuetta per il genere commedia.

    Fran Dresher, la presidente di SAG-AFTRA, ha menzionato i 118 giorni di sciopero degli attori, sottolineando l’importanza dell’accordo raggiunto per le generazioni a venire e ringraziando i membri del sindacato per la solidarietà dimostrata durante quella che ha definito “un’estate calda”.

    Barbra Streisand è salita sul palco sulle note di Come eravamo per ritirare il riconoscimento alla carriera. L’attrice ha voluto ricordare la sua infanzia in un modesto appartamento di Brooklyn nel quale sognava il cinema per evadere dalla realtà.

    La manifestazione non si è svolta sotto la guida di un unico presentatore, ma diversi volti di Hollywood si sono avvicendati sul palco per celebrare i trionfi dei colleghi.

    Ecco tutti i vincitori dei SAG Awards 2024:

    Cinema

    Miglior Cast Cinematografico

    Oppenheimer

    Migliore Attrice Protagonista

    Lily Gladstone – Killers of the Flower Moon 

    Migliore Attore Protagonista

    Cillian Murphy – Oppenheimer 

    Migliore Attrice non Protagonista

    Da’Vine Joy Randolph – The Holdovers – Lezioni di vita 

    Migliore Attore non Protagonista

    Robert Downey Jr. – Oppenheimer 

    Migliori Controfigure Cinematografiche

    Mission: Impossible – Dead Reckoning – Parte Uno

    Televisione

    Miglior Cast in una Serie Drammatica

    Succession

    Migliore Attrice in una Serie Drammatica 

    Elizabeth Debicki – The Crown 

    Migliore Attore in una Serie Drammatica

    Pedro Pascal – The Last of Us

    Miglior Cast in una Serie Commedia

    The Bear

    Migliore Attrice in una Serie Commedia

    Ayo Edebiri – The Bear

    Migliore Attore in una Serie Commedia

    Jeremy Allen White – The Bear

    Migliore Attrice in un Film Televisivo o in una Miniserie

    Ali Wong – Lo scontro (Beef)

    Migliore Attore in un Film Televisivo o in una Miniserie

    Steven Yeun – Lo scontro (Beef)

    Migliori Controfigure Televisive

    The Last of Us

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    Maria Cagnazzo,
    Redattrice.

  • RECENSIONE THE BEAR – UNA DELLE MIGLIORI SERIE TV DELL’ANNO

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    Una cucina sudicia, un cast ben selezionato, una grigia Chicago illuminata al neon: l’elenco degli ingredienti di una delle serie tv più belle del 2022.

    Il regista, Christopher Storer, sembra intenzionato a riprendere l’estetica di My Blueberry Nights di Wong Kar-wai, con la sua torteria a contenere le vite dei personaggi. Sullo sfondo, questa serie fa eco anche al celebre Bronx, di e con Robert De Niro, grazie all’introduzione delle dinamiche familiari stereotipate della malavita importata dagli immigrati italiani negli States, seppur il personaggio di Jimmy Cicero sia un gangster “ormai ammorbidito”. Sufjan Stevens emerge nei passaggi stretti tra i palazzi di Chicago, accarezzando con la sua musica le anime degli spettatori e dei protagonisti.

    The Bear la si divora letteralmente in una sera. Ci si immerge nel fumo denso dei brodi, nel fruscio leggero delle spatole che accarezzano ganache, nello sfrigolio delle cipolle che si caramellano e che stimolano la salivazione di chi guarda. Al centro la passione per la cucina e per il cibo, per la creazione e per la condivisione. Bisogna sapersi muovere nello spazio della cucina e osservare i piccoli oggetti quotidiani: un coltello, un pacchetto di sigarette, un contenitore di cipolle. Ogni singolo dettaglio racconta qualcosa di intimo e significativo.

    La trama sembra semplice: Carmy, chef stellato del miglior ristorante al mondo, torna da New York a Chicago per risollevare la paninoteca del fratello Mike, il quale si è tolto la vita pochi mesi prima. Nessun biglietto, nessun indizio sul perchè l’abbia fatto. Carmy si ritrova a dover gestire una brigata indisciplinata e perditempo, di cui poco a poco si ha l’impressione di diventare parte, di condividere la voglia di risollevare la “The Original Beef of Chicagoland”.

    I personaggi svelano la loro umanità attraverso gli scontri e i legami che costruiscono gli uni con gli altri. Sidney, l’ultima arrivata, è mossa da quella energia barbarica che hanno solo i giovani innamorati di quello che fanno, Marcus, prima relegato alla preparazione di pagnotte insipide, riesce a trovare la sua vocazione nella pasticceria, Tina, da lungo tempo nella squadra, aggrappata con le unghie al “vecchio sistema”, smette di opporsi ai cambiamenti fatti da Sidney e scopre una versione migliore di sé, e infine Richie, odioso attaccabrighe, ingombrante e sofferente, mostra tutte le sue ferite nel corso dello show.

    Inutile dire che Jeremy White è a dir poco magnetico nella sua interpretazione: controlla ogni singola espressione, con il solo movimento degli occhi è in grado di trasmettere allo spettatore ogni sfumatura del suo stato d’animo. Ebon Moss-Bachrach e Ayo Edebiri così reali che si odiano e si amano allo stesso tempo, su cui errori e scelte ci si mette in discussione.

    Un po’ nostalgico, profondamente intimo, curato fino al minimo dettaglio. Un finale a sorpresa nascosto nel posto più inaspettato, a cui viene dedicato il giusto tempo per essere “scoperchiato”.

    La visione è assolutamente consigliata, la trovate su Disney+.

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