FRAMES CINEMA

Author: Frames Cinema

Annunciato il cast del nuovo film di Adam McKay

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Adam McKay sceglie Robert Pattinson, Robert Downey Jr. e Amy Adams per la sua prossima commedia “Average Height, Average Build”.

Dopo il successo di Don’t Look Up, il regista premio Oscar Adam McKay sta tornando con una nuova commedia nera, che si intitolerà Average Height, Average Build, a cui prenderanno parte le star Robert Pattinson, Robert Downey Jr. e Amy Adams.

Le prime indiscrezioni rivelano che la storia narrerà le vicende di un serial killer (Pattinson) che ingaggia una lobbista (Adams) per cercare di cambiare le leggi, in modo da cavarsela più facilmente con gli omicidi. A contrapporsi al killer però c’è ancora un poliziotto (Downey Jr.) che pur essendo in pensione continua ad indagare sugli omicidi, costringendo l’assassino a depistare l’agente.

A produrre la pellicola sono Kevin Messick di Hyperobject Industries e lo stesso Adam McKay il quale vorrebbe iniziare la produzione del film entro la fine dell’estate.

Non si sa ancora se e da chi sarà distribuita la pellicola ma si ipotizza che potrebbe arrivare su Netflix come è stato per Don’t Look Up, diventato poi il secondo film più visto sulla piattaforma.

Il cast ufficiale presenta, al momento, oltre alle già citate star, anche interpreti del calibro di Forest Whitaker (Godfather Of Harlem) e Danielle Deadwyler (Till).

La pellicola segna una “reunion” tra il regista e l’attrice Amy Adams che avevano già lavorato insieme per il film Vice (2018) con protagonista Christian Bale.

Periodo impegnativo inoltre per Robert Pattinson che oltre ad essere occupato per il sequel di The Batman, è anche al lavoro per il nuovo film di Bong Joon-Ho Mickey 17, di cui potete approfondire cliccando qui.

In attesa di altre informazioni sulla pellicola si consiglia la visione delle recenti commedie del regista, ovvero Don’t Look Up (disponibile su Netflix) e The Big Short (disponibile su Disney+).

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Michael Pierdomenico,
Redattore news

March 25, 2023
Mother Mary – Anne Hathaway e Michaela Coel si aggiungono al cast del film prodotto da A24

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Anne Hathaway (Interstellar) e Michaela Coel (Black Panther: Wakanda Forever) saranno le protagoniste di Mother Mary, nuovo film prodotto da A24, casa di produzione ormai nota per il recente trionfo agli Oscar del loro lungometraggio Everything Everywhere All At Once.

La pellicola sarà un melodramma pop e narrerà la storia di una musicista (Anne Hathaway) e la sua relazione con una fashion designer (Michaela Coel).

La musica che sarà centrale nella pellicola, sarà formata da canzoni scritte e prodotte da Charlie XCX e Jack Antonoff e da una colonna sonora composta da Daniel Hart.

Oltre alla già citata A24 la pellicola è cofinanziata da Topic Studios e prodotta da Toby Halbrooks, James M. Johnston, dalla Homebird Productions e da David Lowery.

Quest’ultimo sarà anche il regista del film, di cui ha già scritto la sceneggiatura, per il quale inizieranno a breve le riprese che si svolgeranno in Germania. Questo segna la terza collaborazione tra Lowery e A24 dopo gli apprezzatissimi The Green Knight (2021) e A Ghost Story (2017).

Di recente il regista ha scritto e diretto Peter Pan & Wendy, prossimo live-action targato Disney, di cui potete leggere di più cliccando qui.

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Michael Pierdomenico
Redattore news

March 25, 2023
La donna che visse due volte – Remake con Robert Downey Jr scritto da Steven Knight

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Secondo un’esclusiva di Deadline, Paramount Pictures avrebbe acquisito i diritti per realizzare un remake di La donna che visse due volte, thriller psicologico di Alfred Hitchcock del 1958.

Nel rifacimento di Vertigo Robert Downey Jr assumerebbe il ruolo di protagonista che fu di James Stewart, un ex poliziotto con la fobia dell’altezza e che soffre di vertigini a seguito di un incidente avvenuto in servizio. Lo sceneggiatore della pellicola sarà Steven Knight, acclamato autore di Peaky Blinders, il quale recentemente ha firmato anche per girare un film di Star Wars.

Paramount era già stata casa di produzione dell’originale del 1958, che quindi, insieme alla Hitchcock Estate approva il nuovo progetto. Il primo Vertigo, riconosciuto da Sight and Sound nel 2012 il migliore film di tutti i tempi, era stato scritto da Alec Coppel e Samuel A. Taylor a partire dal romanzo D’entre les morts di Boileau-Narcejac.

Smarrito per il suo incidente, dopo essersi ritirato, l’ex agente viene assunto come detective privato per sorvegliare una moglie, ma verrà trascinato in una misteriosa trama. Il film di Hitchcock fu il primo a impiegare l’effetto Vertigo o dolly zoom, una tecnica di ripresa che distorce la prospettiva per mostrare la vertigine nell’inquadratura.

Produrranno il remake Davis Entertainment di John Davis e John Fox, attualmente impegnati nella post produzione del film di prossima uscita Uglies e del cartone Harold e la matita viola, insieme a Team Downey di Robert e Susan Downey, i quali in questo momento hanno fra le mani la seconda stagione di Perry Mason su HBO e The Sympathizer di Park Chan-wook per A24 ed HBO.

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Edoardo Borghesio
Redattore news

March 25, 2023
Live #37: La figura di Marlene Dietrich in Marocco

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Benedetta Lucidi e Silvia Strambi ci parlano di un tema tanto di nicchia quanto interessante, buona visione!

Buona visione!

Potete seguirci qui: https://linktr.ee/framescinema

Seguiteci su Youtube e Twitch per non perdervi le prossime Live!

March 22, 2023
#32 Strade Perdute – Il cinema estremo di Takashi Miike

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LINK ALL’EPISODIO

In questo trentaduesimo episodio di Strade Perdute torniamo a parlare di cinema orientale e lo facciamo analizzando tre dei film più famosi della sterminata produzione cinematografica di Takashi Miike. Nello specifico:

– Audition (1999) (6:42)

– Ichi The Killer (2001) (42:25)

– 13 Assassini (2010) (65:00)

Buon Ascolto!

Potete seguire Frames Cinema qui: https://linktr.ee/framescinema

Un saluto e un ringraziamento a tutti i nostri ascoltatori e alle nostre ascoltatrici, ci sentiamo al prossimo episodio.

March 19, 2023
Recensione Call My Agent – La CMA e i problemi dello star system

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Dal 20 gennaio, fino al 3 febbraio 2023, è stata trasmessa su Sky Serie la prima stagione di Call my agent – Italia, remake di una serie francese del 2015 intitolata Dix pour cent! (Chiami il mio agente!). La serie, diretta da Luca Ribuoli (regista de La mafia uccide solo d’estate, 2016-2018 e Speravo de morì prima, 2021) racconta situazioni tipiche del caotico mondo dello spettacolo affrontate dai membri di un’importante agenzia artistica, la Claudio Maiorana Agency, la CMA. Vittorio (Michele di Mauro), Lea (Sara Drago), Elvira (Marzia Ubaldi) e Gabriele (Maurizio Lastrico), i membri principali dell’agenzia, sono affiancati dai loro giovani assistenti mentre cercano di mantenere un equilibrio all’interno della società dopo la notizia che il socio maggioritario, Claudio, non farà più ritorno.

Diversi problemi sorgono in relazione non solo agli attori e al loro lavoro, ma anche a vicende personali tra una nuova assistente, Camilla, e l’agente Vittorio, raccontati però sempre con ironia e leggerezza. Allo stesso modo si può vedere l’anziana – ma ancora intraprendente – Elvira cercare di districarsi dalle lunghe chiacchierate con Luana, un’attrice forse più logorroica che brava nel suo lavoro, interpretata da una sempre bravissima ed esilarante Emanuela Fanelli. Un personaggio il suo che risulterà tanto più fastidioso all’inizio della serie quanto sarà in grado di spiazzare con un colpo di scena in seguito, affiancata da un altro attore pilastro della comicità italiana. Tutta la stagione quindi si articola sulla base di queste vicende e al contempo ogni episodio mantiene una trama verticale costruita su circostanze che coinvolgono singoli attori o registi. Gli episodi hanno infatti i nomi dei personaggi del mondo dello spettacolo di cui, di volta in volta, l’agenzia si occupa: da Paola Cortellesi e i suoi problemi con una produzione che vorrebbe un’attrice più giovane a Pierfrancesco Favino e il trauma di essere rimasto “intrappolato” all’interno del personaggio di Che Guevara, non in grado quindi di presentare i David. Tutti gli attori sono interpretati da loro stessi, e sicuramente la sorpresa di scoprire in ogni episodio una nuova guest star desta interesse negli spettatori e diverte ad ogni episodio sempre più.

Il politically correct

Un altro aspetto particolarmente apprezzabile della serie è la considerazione delle tematiche lgbtq+, e in generale del concetto di inclusività nel mondo dello spettacolo odierno. L’omosessualità di diversi personaggi non appare forzata e inserita per soddisfare i criteri del politically correct a tutti i costi, ma viene recepita come più spontanea: non diventa un elemento totalizzante all’interno di una serie incentrata su altri temi, ma contribuisce a caratterizzate i diversi personaggi in modo più fine. Inoltre, il politically correct viene direttamente affrontato dai protagonisti quando, a fronte della necessità di trovare un’attrice di colore, l’agente Gabriele propone un ruolo alla centralinista Sofia, un’italiana di origini africane. Lei si ritiene offesa, spiegando come le persone facenti parti di diverse etnie siano appunto vere persone, e non mere rappresentanti delle loro popolazioni. Avrebbe preferito che venissero considerati i suoi interessi reali e la sua personalità piuttosto che ricevere una proposta di lavoro solo per il colore della sua pelle. Una protesta quindi contro le grandi produzioni che spesso assumono un atteggiamento che più che aperto alla diversità appare ipocrita, e di inclusivo ha in realtà ben poco.

La seconda stagione

La serie, appassionante e divertente, ha riscosso una generale impressione positiva nonostante la sua (per adesso) poca popolarità. È ancora in forse, infatti, la possibilità di una seconda stagione. Sky non ha dato l’approvazione definitiva, per cui non sono in programma le prossime riprese; si pensa che quasi sicuramente non potremo -purtroppo- avere dei nuovi episodi prima della metà del 2024.

Call My Agent è la serie perfetta per tutti coloro che hanno amato Boris e sono affascinati dalla meta-serialità, che sono curiosi di scoprire cosa accade nei retroscena dei loro film preferiti e vogliono comprendere come si gestisce un’agenzia. La serie racconta la realtà del mondo dello spettacolo disegnando dei personaggi quanto più esasperati dai problemi insorti di volta in volta tanto più appassionati ed inseriti in un mondo entusiasmante e dinamico.

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March 18, 2023
Frankenstein di Guillermo Del Toro – Oscar Isaac, Andrew Garfield e Mia Goth in trattativa per entrare nel cast

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Dopo il trionfo nell’ultima edizione degli Oscar per il film d’animazione Pinocchio, Guillermo Del Toro si sta preparando per il suo prossimo live-action, ovvero un film sul classico Frankenstein di Mary Shelley del quale Del Toro sarà regista e sceneggiatore.

Il regista, infatti, ha da sempre voluto realizzare un film basato su l’iconico romanzo e per questo, secondo Deadline, il progetto è in sviluppo già da tempo.

Le fonti aggiungono che Del Toro sta ancora lavorando alla sceneggiatura e che avrebbe già incontrato i primi attori, ovvero Mia Goth (X – A Sexy Horror Story), Oscar Isaac (Il Collezionista Di Carte) e Andrew Garfield (The Amazing Spider-Man), con questi ultimi intenzionati a far parte del cast.

Per loro non ci sono ancora state offerte formali e Netflix, che si occupa della produzione del film, non ha commentato la questione.

Oltre al suo Frankestein, De Toro sta lavorando, sempre per Netflix, ad un altro film in stop-motion, intitolato The Buried Giant e tratto dall’omonimo romanzo dello scrittore premio Nobel Kazuo Ishiguro, del quale potete approfondire cliccando qui.

In attesa di altre notizie si consiglia la visione del suo ultimo lavoro Pinocchio, disponibile in streaming su Netflix.

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March 16, 2023
Superman: Legacy – James Gunn dirigerà il nuovo film sull’Uomo d’acciaio

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Con un post sui suoi canali social, James Gunn annuncia ufficialmente che sarà lui a dirigere, oltre che a scrivere, Superman: Legacy, il nuovo adattamento dell’eroe di Metropolis creato nel 1933 da Jerry Siegel e Joe Shuster.

Nel post di annuncio, Gunn parla della grande portata emotiva che il progetto ha – o avrà – su di lui, e ne riconferma l’uscita prevista per l’11 luglio 2025. La data coincide con il compleanno di suo padre, motivo per cui il fratello attore Sean si è messo a piangere quando James glielo ha comunicato.

Il regista rivela inoltre che un film su Superman gli fu già offerto tempo addietro, ma lui rifiutò non sapendo come realizzare in maniera unica, divertente ed emozionante una storia dignitosa per questo grande personaggio. Circa un anno fa comprese finalmente di doversi focalizzare sulla doppia parentela di Clark Kent – gli aristocratici genitori kriptoniani e quelli contadini del Kansas – e così ha accettato di scriverne lo script. Tuttavia, non sentendolo sufficientemente suo, in un primo momento è stato esitante ad assumerne la regia, nonostante l’insistenza di Peter Safran. Ma ora può dichiarare di amare lo script ed essere perciò eccitato all’idea di dedicarcisi completamente (con Safran produttore del film).

Superman: Legacy segnerà l’inizio del nuovo DC Universe guidato dagli stessi Gunn e Safran, e sarà il primo episodio del pacchetto di 10 film annunciati all’inizio di quest’anno come primo capitolo della nuova narrazione cinematografica dei DC Studios. In proposito è stato detto che non si tratterà di una origin story ma anzi si concentrerà “su Superman e il suo equilibrio tra le origini kryptoniane e la sua parte umana”. Non si sa ancora chi sarà il protagonista di questo nuovo adattamento ma è certo che non sarà più Henry Cavill e che sarà un attore più giovane del solito.

Intanto rivedremo James Gunn al cinema con il terzo e ultimo episodio delle avventure dei Guardiani della Galassia targati Marvel Studios, che sarà al cinema in Italia a partire dal 3 maggio 2023.

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March 16, 2023
Live #36: Saga di Scream – Tier List

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Luca Orusa e Mattia Bianconi commentano tutti i film della saga di Scream che, con il capitolo 6, ha rivoluzionato il franchise. Qual è il vostro preferito?

Buona visione!

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March 16, 2023
The Movie Critic – Quentin Tarantino sta per girare il suo ultimo film

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Un’esclusiva di The Hollywood Reporter annuncia a ciel sereno che Quentin Tarantino avrebbe finito di scrivere la sceneggiatura del suo decimo e ultimo film, e che pianifichi di effettuarne le riprese durante il prossimo autunno. Il titolo dello script è The Movie Critic e le fonti dicono che dovrebbe trattarsi di una storia con una protagonista donna ambientata nella Los Angeles di fine anni ’70.

Si ipotizza che The Movie Critic possa narrare la vita di Pauline Kael, deceduta nel 2001, una delle più influenti critiche cinematografiche di tutti i tempi, ma anche saggista e romanziera, nota per le sue feroci battaglie con editori e film-maker. A fine anni ’70 Kael ebbe un impiego come consulente per Paramount, posizione che accettò per volere di Warren Beatty: oltre a coincidere la sua vicenda con il setting presunto del film, è risaputo che Quentin Tarantino nutra una profonda stima dell’autrice.

Secondo le fonti, il progetto non sarebbe ancora abbinato a nessuno studio di produzione, ma l’acquisizione è attesa per questa settimana. Uno dei frontrunner potrebbe essere Sony, che ha già finanziato l’ultimo film di Tarantino C’era una volta a Hollywood, pellicola del 2019 con 2 Oscar su 10 nomination ed un boxoffice globale di 377 milioni di dollari.

Carriera e progetti di un maestro

Quentin Tarantino è uno degli autori più celebrati di Hollywood, ossessionato dalla storia del cinema e dai generi fuori moda che ha resuscitato, come gli Spaghetti Western, la blaxploitation e le arti marziali. Col suo piglio moderno ed elevato, citazionista e innovativo, Tarantino ha collezionato numerosi riconoscimenti, fra i quali due premi Oscar per la miglior sceneggiatura (per Pulp Fiction e Django Unchained), tre nomination alla miglior regia e una al miglior film.

Da sempre il regista cresciuto in cineteca attrae a sé il meglio dell’industria, lavorando frequentemente con alcuni degli attori più apprezzati degli ultimi decenni, fra cui Leonardo DiCaprio, Brad Pitt, Christoph Waltz (che ha ottenuto due Oscar diretto da Tarantino), Uma Thurman e Samuel L. Jackson. The Hollywood Reporter suppone che, se questo è davvero il suo ultimo film, il maestro non avrà niente da perdere per provare a mettere insieme un cast superlativo.

Più volte Quentin Tarantino ha esplicitato di voler realizzare un numero limitato di pellicole, dichiarandosi intenzionato a firmare dieci opere prima di ritirarsi intorno ai suoi 60 anni. Sinora ne ha girati nove (contando come unico prodotto le due parti di Kill Bill) e a fine marzo compirà 60 primavere, perciò The Movie Critic sarebbe la sua uscita di scena, assecondando la filosofia più volte ribadita dal regista di non voler continuare a lavorare in tarda età, quando l’estro potrebbe affievolirsi e la qualità discendere.

Anche ritirandosi dal cinema, Tarantino ha espresso interesse verso altre forme di espressione artistica cui potrebbe approcciarsi, in particolare serie televisive e drammi teatrali. Nel 2021 ha pubblicato il suo primo romanzo, adattamento di C’era una volta a Hollywood, e nel 2022 è uscita la sua autobiografia, intitolata Cinema Speculation: entrambi i libri sono editi in Italia da La nave di Teseo.

Ci sarà una volta in Italia

Il prossimo mese Quentin Tarantino sarà in Italia: la sera di giovedì 6 aprile presenterà Cinema Speculation al Teatro Grande di Brescia, un evento chiuso sold out in pochi minuti. Il giorno successivo, venerdì 7 aprile, il regista sarà intervistato da Antonio Monda presso la Libreria Mondadori Duomo di Milano, in occasione della 24esima edizione della Milanesiana, speciale evento ideato e diretto da Elisabetta Sgarbi (direttrice della casa editrice interessata).

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March 15, 2023