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Talk To Me – Il trailer del nuovo horror prodotto da A24

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È stato da poco rilasciato il trailer originale del nuovo film horror, in uscita quest’anno, che si intitolerà Talk To Me.

A pubblicare il trailer è stata l’ormai nota casa di produzione A24 che nonostante l’imminente uscita del film Beau Is Afraid (di cui potete visionare il trailer cliccando qui), sta già pensando ai prossimi progetti e tra questi, per l’appunto, vi è la sopra citata pellicola horror.

Non è la prima volta che A24 ha a che fare con l’horror, la casa di produzione ha infatti lavorato a film del calibro di The Witch, Hereditary, Midsommar o Lamb riscuotendo sempre molto successo di critica.

TRAILER

La pellicola racconta le vicende di un gruppo di amici che utilizzando una mano di ceramica e pronunciando le parole “talk to me”, riescono ad evocare spiriti. La cosa sfugge di mano quando la protagonista (Mia) scatena una serie di eventi e forze soprannaturali che la cambieranno profondamente.

Il cast della pellicola è formato da Sophie Wilde, Miranda Otto, Zoe Terakes, Jett Gazley, Chris Alosio, Joe Bird, Alexandra Jensen, Otis Dhanji e Marcus Johnson.

La regia prevede l’esordio dei gemelli australiani Danny e Michael Philippou noti per il loro canale YouTube, RackaRacka, in cui pubblicano video di commedie horror, mentre la sceneggiatura è scritta da Danny Philippou e Bill Hinzman (anche lui al suo esordio).

La pellicola è stata presentata in anteprima al South by Southwest, festival cinematografico che si tiene in Texas, in cui ha ottenuto molti consensi da parte della critica. Uscirà nelle sale cinematografiche statunitensi a partire dal 28 luglio, mentre non si ha ancora una data d’uscita italiana.

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Michael Pierdomenico,
Redattore news.

April 12, 2023
Recensione Super Mario Bros. il film – Una piacevole compagnia

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The Super Mario Bros. Movie, frutto dell’unione tra Nintendo e Illumination Entertainment, porta al cinema il videogioco più famoso del mondo divertendo ma senza sorprendere.

Nel 2017, all’annuncio di un nuovo film con protagonista Mario, l’idraulico Italiano più famoso del mondo nato nel 1981 come antagonista di Donkey Kong e poi divenuto protagonista di una sua serie di immenso successo, le reazioni, come è lecito aspettarsi, furono miste.

Fan entusiasti di vedere i loro beniamini al cinema, altri diffidenti verso qualsiasi trasposizione di videogiochi al cinema, altri erano memori dello scempio compiuto nel 1993 con il film in live action diretto da Rocky Morton e Annabel Jankel con Bob Hoskins nei panni di Mario e John Leguizamo in quelli di Luigi, primo adattamento hollywoodiano e in live action di un videogioco, primo di una lunga serie di disastri.

La saga di Mario, costituita da più di cento titoli tra serie regolare platform, videogiochi open world, spin off sportivi, automobilistici, festaioli, crossover, e chi più ne ha più ne metta, ha fatto parte delle vite di qualsiasi persona cresciuta negli ultimi 40 anni, è stata trasposta più volte in animazione a basso budget in Giappone e finalmente arriva al cinema, in animazione CGI, grazie alla collaborazione tra la sua stessa casa madre Nintendo e Illumination Entertainment, studio di animazione di proprietà della Universal, creatrice di brand di successo come Cattivissimo Me, Sing, Pets e di quella piaga conosciuta ai più come Minions, dopo un iniziale interessamento addirittura di Sony, la principale concorrente sul mercato videoludico di Nintendo.

Mario e Luigi sono due idraulici italoamericani a Brooklyn, si sono messi in proprio da poco e vengono derisi dai colleghi e dalla famiglia per lo scarso successo della loro attività. Per caso vengono risucchiati da uno strano tubo e vengono catapultati in due strani mondi: Luigi nelle Terre Oscure, casa di Bowser il crudele Re dei Koopa che sta seminando terrore nei vari mondi, Mario nel Regno dei Funghi, governato dalla Principessa Peach, obiettivo finale di Bowser. Mario e Peach dovranno collaborare per contrastare l’avanzata del tiranno e salvare Luigi.

La storia è quindi una classica rielaborazione del canovaccio della serie da Super Mario Bros. in poi: Peach viene rapita da Bowser, Mario deve salvarla livello dopo livello, mondo dopo mondo, sentendosi ripetere di continuo “Your Princess is in another castle”. Di certo nessuno si aspettava qualcosa di diverso se non un tripudio di gag, citazioni e quant’altro. Ed è proprio questo il risultato finale.

Sono proprio i rimandi a tutto ciò che ha costruito il mito del franchise negli ultimi decenni il veicolo principale della trama: i Pinguini nati nel gioco Super Mario 64 sono conquistati da Bowser nel prologo e ci introducono la vicenda, il mitico Donkey Kong e i suoi Kong sono gli alleati di cui Mario e Peach hanno bisogno per la loro causa e dovranno convincerli in una prova di lotta stile Super Smash Bros., i leggendari power-up come il Super Fungo, il Fiore di Fuoco, la Foglia Tanooki e la Super Stella sono le armi principali, il campo di addestramento di Mario proviene da Super Mario Maker, l’intento finale di Bowser è lo stesso del gioco Super Mario Odissey, e ovviamente non manca la corsa in kart sulla Pista Arcobaleno. La scelta di mantenere invariati i character design dei personaggi è azzeccatissima, al contrario di quanto era stato fatto ad esempio con Sonic.

La regia di Aaron Horvath e Michael Jelenic (creatori di Teen Titans Go!) e la sceneggiatura di Matthew Fogel sono chiaramente di servizio, i veri autori del film sono i due produttori (Chris Meledandri di Illumination e Shigeru Miyamoto per Nintendo).

Con la visione in lingua originale si possono poi apprezzare moto le performance vocali: Chris Pratt donando la voce a Mario fornisce un’altra prova convincente dopo Emmett in The Lego Movie allontanando le polemiche sul suo casting al posto di Charles Martinet (voce storica di Mario che fa comunque un cameo nel film) o di un doppiatore italoamericano; Charlie Day è Luigi, Anya Taylor-Joy è Peach, il Toad di Keegan-Michael Key e il Donkey Kong di Seth Rogen sono esilaranti, mentre il Bowser di Jack Black è semplicemente irresistibile.

Oltre alla generale inconsistenza della trama (difetto tuttavia abbastanza trascurabile) a far storcere un po’ il naso è il costante ricorso a brani musicali assai noti e non sempre inseriti in maniera corretta. Un classico rimbalzo di quella ricerca di coolness anti-Classico Disney in cui sono cascati praticamente tutti gli studi di animazione negli ultimi 20 anni. Peccato perché i pochi momenti musicali inediti, con Bowser-Jack Black al pianoforte, sono sicuramente i momenti più esilaranti del film.

In definitiva troviamo un film sicuramente confezionato a regola d’arte, veloce e indolore, gradevolissimo per il pubblico più giovane e per quello più affezionato ai personaggi, che sicuramente strapperà qualche risata anche a chi non fa parte di queste categorie, ma che non segnerà una rivoluzione nel mondo delle major dell’animazione. Chissà se con i sequel (che certamente arriveranno) o con nuovi film animati ispirati ai famosi brand Nintendo (magari un Kirby targato sempre Illumination, o uno Zelda ad alto budget realizzato da qualche studio più ambizioso) troveremo qualcosa di più coraggioso. Nel frattempo, godiamoci questo Super Mario Bros. – Il Film.

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Nicolò Cretaro,
Redattore.

April 12, 2023
Star Wars Celebration 2023 – Tutti gli annunci fatti dalla Lucasfilm durante il panel del primo giorno
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Nella giornata di ieri è iniziata a Londra la Star Wars Celebration 2023 e durante il panel più importante della giornata, la Lucasfilm ha annunciato molteplici novità e progetti.

Il panel è stato introdotto da Kathleen Kennedy, attuale presidente della Lucasfilm, che si è mostrata entusiasta per la quindicesima edizione della Star Wars Celebration e per le novità in campo cinematografico e televisivo.

Tutti gli annunci del panel:
- Andor
- The Acolyte
- The Mandalorian
- Skeleton Crew
- Ahsoka
- Prossimi film di Star Wars
- Indiana Jones 5
Andor

L’autore della serie televisiva Tony Gilroy ha annunciato che la seconda stagione è in lavorazione senza però dare altri dettagli: “Abbiamo iniziato a girare a novembre, continuiamo fino ad agosto. Poi ci vorrà un altro anno per la post-produzione, gli effetti visivi, e quindi immagino uscirà ad agosto del 2024.”

Insieme a Gilroy erano presenti anche i membri del cast e tra questi il protagonista Diego Luna che ha salutato il pubblico dicendo: “Sono felice di essere qui perché significa… che continuiamo a fare Andor! Siamo qui perché vi è piaciuta la serie, avevamo il dubbio che potesse non piacere”.

Alla fine della presentazione è stato mostrato al pubblico un breve video che mostra alcuni primi piani dei personaggi tratti dalla seconda stagione.

The Acolyte

La prima novità del panel è la nuova serie The Acolyte presentata dalla regista Leslye Headland: “Frozen incontra Kill Bill: così ho presentato la serie a Kathleen Kennedy”. La serie infatti è ambientata in un periodo di pace in cui il lato oscuro è in minoranza e le guerre sono spirituali. Headland si è ispirata ai film di samurai con protagonisti dei guerrieri solitari (specialmente di Kurosawa) e il team ha preso come riferimento i film che ispirarono George Lucas a dare il via a questo universo cinematografico.

Sul palco era presente anche il cast formato da Amanda Stenberg che interpreta una ex padawan, Lee Jung-jae che interpreta un maestro Jedi e Joonas Soutamo che interpreta Wookie (un altro maestro Jedi). Con loro erano presenti anche Jodie Turner-Smith, Manny Jacinto, Dafne Keen e Charlie Barnett. L’uscita è prevista per il 2024 con le riprese che andranno a concludersi a maggio.

POSTER

The Mandalorian

Sul palco salgono Jon Favreau, Dave Filoni, il regista Rick Famuyiwa e altri membri del cast, non è presente invece Pedro Pascal che saluta i fan tramite un video:“Mi mancate tutti, voglio ringraziarvi per l’amore che state dimostrando per la serie, i fan di Star Wars sono i migliori e dimostrano che tutto, anche un panino, può diventare un meme!”.

Mancano due episodi per concludere la serie, diretti entrambi da Famuyiwa, che concluderanno la terza stagione. Il penultimo episodio è stato mostrato in anteprima esclusiva ai presenti della Celebration mentre per tutti gli altri sarà disponibile da mercoledì su Disney+.

Skeleton Crew

Per la nuova serie “Amblin” Skeleton Crew è in corso la postproduzione e al pubblico presente è stato mostrato il primo trailer che però non svela la data di uscita. La serie racconta le vicende di tre piccoli bambini che incontrano un maestro Jedi interpretato da Jude Law. Proprio quest’ultimo ha presentato al pubblico i piccoli protagonisti della serie.

“L’idea è nata quando lavoravo a Londra con Jon Watts, mentre recitavo nel suo Spider-Man.” afferma Favreau, “Gli abbiamo chiesto se volessimo lavorare a una serie incentrata sui bambini, ispirata ai grandi film Amblin e quando è stato lanciato Disney+ ho chiamato Kathleen Kennedy, che ne aveva parlato con George Lucas.” conclude.

Anche Kathleen Kennedy interviene dicendo: “Nei film Amblin, anche se ci sono dei bambini, non si tratta di film per bambini. Ed è lo stesso approccio che abbiamo con questa serie, ne vedrete delle belle!”.

POSTER

Ahsoka

Sul palco sale Rosario Dawson annunciando che Ahsoka uscirà ad agosto in streaming su Disney+. Assieme a Dawson salgono sul palco anche Natasha Liu Bordizzo e Mary Elizabeth Winstead che recitano nella serie e al pubblico viene mostrato il teaser trailer che è ufficialmente stato rilasciato per tutti.

TRAILER:

Nel trailer vediamo la protagonista Ahsoka Tano mentre cerca di indagare su una minaccia che incombe sulla galassia, il tutto condito con varie citazioni al mondo di Clone Wars.

POSTER

Prossimi film di Star Wars

Arriviamo all’annuncio più grande, ovvero… i nuovi film di Star Wars!

Kennedy annuncia tre nuovi progetti principali (che potrebbero essere tre nuove saghe) che saranno ambientati nel passato, nel presente e nel futuro. I registi scelti per ora sono 3, ovvero James Mangold, Dave Filoni e Sharmeen Obaid-Chinoy (Ms. Marvel).

Il primo dirigerà un film che racconterà la storia del primo Jedi che è riuscito ad incanalare la Forza e il regista è intervenuto dicendo: “Racconterà L’alba della Forza, sarà ambientato 25 mila anni prima delle storie che conosciamo”.

Il secondo dirigerà un film che parlerà della guerra crescente tra la Nuova Repubblica e ciò che resta dell’impero e sarà un crossover con le serie televisive viste su Disney+.

“Farò un evento cinematografico che metterà insieme i personaggi delle serie che ho fatto con Jon Favreau. Finalmente faccio un film! Sono cresciuto all’epoca della trilogia originale. Ci sono molte storie dell’universo espanso che ci ispireranno.” ha affermato Filoni da grande fan della saga.

Il terzo e ultimo dirigerà invece un film che sarà ambientato 15 anni dopo L’ascesa di Skywalker e che prevede un “nuovo ordine Jedi”. Il regista interviene dicendo: “Il mondo ha bisogno di moltissimi eroi, ci sono regimi oppressivi e persone che si scagliano contro di essi. Ho pensato a un nuovo ordine jedi, con una accademia jedi e un maestro jedi. Chi ricostruirà l’ordine jedi?”, a questa domanda risponde l’ingresso in scena di… Daisy Ridley! Quest’ultima infatti ha interpretato Rey nell’ultima trilogia e ora è pronta a tornare in quelle vesti per una nuova, grande avventura.

Indiana Jones 5

James Mangold rimane sul palco a parlare del suo prossimo film in uscita: Indiana Jones 5.

Presente anche Harrison Ford con un video per presentare gli altri attori della pellicola Mads Mikkelsen e Phoebe Waller-Bridge.

Questi presentano il trailer, uscito ufficialmente, di cui abbiamo parlato approfonditamente in un altro articolo.

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Michael Pierdomenico,
Redattore news.
April 12, 2023
Indiana Jones e il quadrante del destino – nuovo trailer e poster

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In occasione della Star Wars Celebration di Londra, Lucasfilm ha diffuso il nuovo poster e il trailer ufficiale di Indiana Jones e il quadrante del destino. Il quinto capitolo del franchise è stato annunciato poco prima della diffusione del nuovo materiale come l’ultimo della serie, ufficializzando che non verranno realizzati prodotti ulteriori senza la partecipazione del volto storico di Harrison Ford.

TRAILER ORIGINALE

TRAILER ITALIANO

Henry Jones ha concluso la sua carriera universitaria e pregusta la pensione, quando la sua figlioccia Helena Shaw lo richiama in azione per un’ultima avventura. Insieme dovranno recuperare un misterioso artefatto, perso di vista durante la Seconda guerra mondiale. Con il supporto di vecchi e nuovi amici, l’archeologo dovrà trovare l’oggetto prima che finisca nelle mani del villain Jürgen Voller, uno scienziato che vorrebbe impiegarne i poteri per cambiare le sorti del mondo in favore del nazismo.

È il 1969, un anno di rivoluzioni assurde per l’uomo che ha recuperato l’Arca dell’Alleanza e il Graal: col sottofondo dei Rolling Stones, vediamo Indiana Jones disorientato, nella metropolitana, insieme a bambini e giovani vestiti a festa per l’allunaggio. La sua ultima avventura trascinerà il professore in giro per il mondo, fra la New York in festa per gli astronauti (ricostruita a Glasgow), la Sicilia e il Marocco, con inseguimenti, sparatorie, immersioni e persino il lancio da un aereo in fiamme.

Il prologo del film, invece, si svolgerà negli anni ’40, in un castello agghindato con drappi nazisti e su un treno in corsa: qui Harrison Ford, ringiovanito in digitale, si scontrerà con un manipolo di nazisti che saranno i nemici di tutto il film. Alla fine del trailer, invece, Indiana Jones rievoca con Helena le sue avventure, fra torture voodoo (Il tempio maledetto) e sparatorie (I predatori dell’arca perduta), fino raggiungere l’oggetto che ha cercato per tutta la vita, il quadrante del destino.

Insieme a Harrison Ford, il cast include Phoebe Waller-Bridge, Antonio Banderas, John Rhys-Davies, Toby Jones, Boyd Holbrook, e Mads Mikkelsen. Il film è diretto da James Mangold e prodotto da Kathleen Kennedy, Frank Marshall e Simon Emanuel, mentre Steven Spielberg e George Lucas sono produttori esecutivi. La colonna sonora è composta ancora una volta da John Williams, che ha firmato le musiche di ogni film di Indiana Jones.

Dopo l’anteprima mondiale giovedì 18 maggio in occasione del 76° Festival di Cannes, dove Harrison Ford riceverà un omaggio per la sua carriera, Indiana Jones e il quadrante del destino sarà al cinema in Italia dal 28 giugno 2023, mentre raggiungerà le sale statunitensi il 30 giugno.

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Edoardo Borghesio,
Redattore news.

April 12, 2023
Storia della Dreamworks Parte 3: Animazione in Stop Motion

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Per leggere la prima parte, clicca qui.

Per leggere la seconda parte, clicca qui.

Nella prima metà degli anni 2000 la Dreamworks intraprende una alquanto singolare collaborazione con lo studio britannico Aardman, leader indiscusso nel campo dell’animazione in stop motion.

Con questo termine indichiamo qualsiasi tecnica di animazione basata sul movimento diretto di oggetti fisici (pupazzi, materiali modellabili, disegni ritagliati, ecc..).

Questa raffinatissima tecnica di animazione ha radici molto antiche, a partire dai primissimi lungometraggi animati della storia quali El Apóstol (Quirino Cristiani, 1917) realizzato tramite l’utilizzo di cartoncini di carta (cutout animation), considerato il primo lungometraggio animato della storia ma ormai andato perduto, o in Le Avventure del Principe Achmed (Die Abenteuer des Prinzen Achmed, Lotte Reiniger, Carl Koch, 1926) il più antico pervenutoci. Senza contare i molteplici utilizzi come effetto speciale grazie all’opera di artisti come Ray Harryhausen e a personaggi come le gigantesche creature in King Kong (Merian C. Cooper, Ernest B. Schoedsack, 1933)

Negli anni ‘80 e ‘90 il pubblico si interessa nuovamente alla stop motion grazie al successo dei lavori animati di Tim Burton, come il cortometraggio Vincent (1982) e Nightmare Before Christmas (1993), o della Aardman stessa.

La società di animazione viene fondata a Bristol nel 1976 da Peter Lord e David Sproxton e si specializza in claymation, l’animazione dei modellini in plastilina. Negli anni ‘80, grazie ad artisti come Nick Park e lo stesso Lord, sforna opere come la serie Conversation Pieces nel 1983, il videoclip del brano Sledgehammer di Peter Gabriel nel 1986, ma soprattutto il cortometraggio Creature Comforts (Park, 1989), vincitore di un Oscar, per poi esplodere con la creazione del duo composto dallo strampalato inventore Wallace e dal suo protettivo cane Gromit. La collaborazione con la Dreamworks risulta senza dubbio inaspettata, ma nonostante alcune crepe ha portato a noi opere decisamente pregevoli.

Tra i tre film nati da questa collaborazione il primo, senza dubbio il più riuscito, è Galline in Fuga (Chicken Run, Lord e Park, 2000). In un allevamento di polli più simile ad un lager che ad una fattoria la gallina Gaia è l’unica desiderosa di fuggire al di là del recinto e sogna di portare in salvo tutta la sua comunità che ovviamente non è del suo stesso avviso. L’arrivo, o meglio l’atterraggio, del gallo americano Rocky Bulboa farà scattare in tutte la scintilla della libertà, anche per sfuggire al piano dei due avidi allevatori: una nuova linea di pasticci di pollo.

Tra l’escape movie e il film di guerra puro, tra riferimenti ai campi di concentramento nazisti e a La grande fuga (The Great Escape, Sturges, 1963) con Steve McQueen, abbiamo una dissacrante versione della vicenda biblica di Mosè ambientata nella campagna inglese tanto cara alla Aardman, che di solito vi ambienta le strambe avventure di Wallace & Gromit o di Shaun la pecora.

Gaia è la classica protagonista Dreamworks, sognatrice inascoltata ma determinata. La coppia di antagonisti ricorda un po’ Yzma e Kronk, demoniaca ma altamente comica lei, idiota e inefficiente lui. Il gallo Cedrone che vanta un passato nella Royal Air Force sembra provenire direttamente da uno sketch dei Monty Python. Rocky, lo yankee che arriva a salvare la situazione rivelandosi tranquillamente un buffone, sembra quasi simboleggiare la stessa Dreamworks che arriva con tutta la sua irriverenza a insidiare il più rilassato umorismo inglese. Il film risulta maturo, capace di intrattenere grandi e piccini, a iniettare sane dosi di paura, azione e violenza, rilasciando anche una piccola stoccata animalista.

Per il secondo film, i ragazzi della Aardman decidono di far scendere in campo proprio la loro coppia d’oro: Wallace & Gromit, già protagonisti di tre cortometraggi che hanno fruttano due Oscar su tre nomination. E anche La Maledizione del Coniglio Mannaro (The Curse of the Were-Rabbit, Park, Steve Box, 2005) si porterà a casa la statuetta, forse in maniera un po’ più generosa. Se Galline in Fuga traeva ispirazione da escape movie e film di guerra, La Maledizione del Coniglio Mannaro scende nel terreno dell’horror puro, ovviamente in salsa comedy. La figura della creatura mannara (coniglio al posto del lupo) incarna l‘archetipo della bestia, tema che diventerà ricorrente in moltissimi dei successi degli anni a venire (basti pensare a Madagascar o a Dragon Trainer). Ovviamente la vera bestia si rivela essere l’uomo. Le citazioni si sprecano, dai classici della Hammer a Donnie Darko, la climax del “terrore” è ben costruita, nonostante non si punti davvero a spaventare lo spettatore, l’uso delle soggettive e la mancata presenza a schermo del mostro nella parte iniziale denotano grandissima cura, ma se per le Galline 84 minuti erano sufficienti, per raccontare la storia del Coniglio risultano un po’ limitanti.

Giù per il tubo (Flushed Away, Davide Bowers, Sam Fell, 2006) è ad oggi l’ultima collaborazione tra i due studi ed è senza dubbio l’anello debole della catena. Se finora la Aardman non aveva mai cercato lo scontro frontale con Disney e Pixar, qui è più che palese l’en garde nei confronti del coevo Ratatouille (Brad Bird, Jan Pinkava, 2007). Ma Remy, il ratto con il sogno di diventare un grande chef, siede ad altezze che il nostro Roddy può solo ammirare da lontano.

Il genere di riferimento è lo spy movie, con richiami ai film di gangster, a quelli sulle grandi rapine, alla Pantera Rosa e perfino al topos del viaggio lungo il fiume, o meglio la fogna. Il film si regge sulla forte dicotomia tra il protagonista, che vive nella sua bambagia autocelebrativa (anche della Dreamworks stessa, vista la collezione di DVD del nostro eroe), e il sudicio Sid che lo trascina letteralmente nelle fogne di Londra, magari l’ennesima rappresentazione della Dreamworks che invita la compagna britannica a sporcarsi le mani.

Il film è gradevole ma la struttura fin troppo classica, con il protagonista che vuole tornare a godere le sue comodità ma una volta raggiunto il suo scopo capisce il gusto dell’avventura grazie all’amore e all’amicizia. In ogni caso non basta un grande cast (Hugh Jackman, Kate Winslet, Ian McKellen) a rendere il film memorabile

Il vero peccato tuttavia, sta nella sostituzione totale della claymation “reale” con il suo rendering digitale, sia per venire incontro ai gusti del pubblico sia perché sarebbe stato veramente impossibile gestire un set inanimato con una tale presenza di acqua. L’immagine è più fluida e spettacolare ma assolutamente meno affascinante. La claymation nei primi anni 2000 è sicuramente vintage, e un’eccessiva contaminazione con la CGI, per di più non perfetta come quella a cui ci stava abituando la Pixar, spinge i due studi a non proseguire la collaborazione, nonostante le voci su un eventuale quarto film da contratto, la Dreamworks non sembra coinvolta nello sviluppo del sequel di Galline in Fuga.

Negli anni successivi la Aardman continuerà la sua opera di contaminazione tra claymation e CGI con risultati più o meno convincenti. Quanto alla Dreamworks, tra il 2000 e il 2005 aveva tirato fuori un paio di progetti interessanti.

Per leggere la quarta parte, clicca qui.

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April 5, 2023
Beau is Afraid – Trailer finale del nuovo film di Ari Aster

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Dopo il successo agli Oscar con Everything Everywhere All at Once e The Whale con Brendan Fraser, A24 punta al futuro e ha pubblicato un nuovo trailer di Beau ha paura, lungometraggio diretto da Ari Aster con protagonista Joaquin Phoenix. Il film sarà distribuito in Italia a partire da giovedì 27 aprile.

TRAILER ORIGINALE

Beau ha paura è il racconto dell’odissea di un uomo che attraversa varie stagioni della sua esistenza, tra sfide quotidiane e scenari imprevedibili in un viaggio psichedelico e adrenalinico mentre tenta di far visita a sua madre. Il premio Oscar Joaquin Phoenix è Beau, uomo ossessionato dai suoi fantasmi, e che si trova ad affrontare le sue paure più oscure per tornare in un posto da chiamare casa, per una storia che intreccia mistero e humor nero.

Sceneggiatura e regia del progetto sono di da Ari Aster, autore già degli apprezzati e controversi Hereditary – Le radici del male e Midsommar – Il villaggio dei dannati. Nel cast sono presenti anche Nathan Lane (The Birdcage), Amy Ryan (Gone Baby Gone), Parker Posey (Scream 3), Kylie Rogers (The Whispers), Denis Ménochet (Inglourious Basterds), Michael Gandolfini (The Many Saints of Newark), Richard Kind (Curb Your Enthusiasm), e Stephen McKinley Henderson (Causeway).

Tra gli aneddoti emersi durante la promozione, Joaquin Phoenix sarebbe svenuto sul set: Ari Aster ha raccontato a Deadline che durante una scena molto intensa avrebbe visto l’attore scomparire dal frame, innervosendosi per l’ottima ripresa rovinata, e invece era crollato a terra. Il regista ha più volte definito il suo nuovo film “una sorta di Signore degli Anelli ebreo”, ma meno avventuroso.

L’opera è molto attesa e ai primi screening ha suscitato reazioni contrastanti, confermandosi in ogni caso come un prodotto molto originale, definito “la creazione più divertente e scatenata della carriera di Ari Aster”, come “Truman Show su un tizio con complessi materni molto profondi che trascorre la sua intera esistenza a essere troppo spaventato per venire”, ma anche “Una odissea folle […] attraverso il senso di colpa e la repressione”, e “Le tre ore più spiacevoli, orribili ed estenuanti della mia vita”.

In questi giorni si parla anche degli altri progetti dei coinvolti: il regista Ari Aver ha annunciato che come prossimo film vorrebbe realizzare un western, mentre Joaquin Phoenix sarà protagonista di Napoleon, diretto da Ridley Scott per Apple e in uscita il 22 novembre con Sony, e attualmente è impegnato a New York per le riprese di Joker: Folie à Deux con Lady Gaga per la regia di Todd Philips.

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Enrico Borghesio,
Redattore news.

April 4, 2023
Barbie – Teaser Trailer e nuovi poster

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Warner Bros. Discovery ha diffuso il secondo teaser trailer di Barbie, nuova attesissima pellicola di Greta Gerwig con Margot Robbie attesa per l’estate 2023. Poco prima dell’uscita della clip promozionale sono stati pubblicati online anche il poster ufficiale del film e 24 character poster dedicati ai personaggi primari e secondari della storia.

La trama del film è al momento avvolta da un alone di mistero, ma secondo alcune indiscrezioni la storia dovrebbe svolgersi nell’immaginario e coloratissimo mondo di Barbieland. Il Ken di Ryan Gosling viene descritto come un “completo idiota”, è ossessionato da Barbie, ma ama il mondo reale per tutte le ragioni per cui Barbie lo odia (standard di bellezza, sessismo, ecc.). Nel corso della storia i due lasceranno Barbieland per il mondo reale, con il CEO di Mattel (Will Ferrell) deciso a ritrovarli per riportarli a casa.

TRAILER ORIGINALE

TRAILER ITALIANO

Nel trailer si vedono vari personaggi, presentati già dai poster, che interagiscono fra loro: Barbie Presidentessa Issa Rae organizza eventi, mentre Barbie Spaccate danza per la città, e Barbie autrice Alexandra Shipp e Barbie Nobel in fisica Emma Mackie trascorrono le loro giornate in spiaggia; i vari Ken, invece, non si sopportano, in particolare Simu Liu e Ryan Gosling, il quale vorrebbe restare solo con la sua Barbie Margot Robbie, ma non sa esattamente per quale motivo…Colorati personaggi e location fanno da contorno: benvenuti a Barbieland.

Nel cast del film, oltre ai protagonisti Margot Robbie e Ryan Gosling, troviamo anche America Ferrera, Kate McKinnon, Simu Liu, Ariana Greenblatt, Emma Mackey, Alexandra Shipp, Issa Rae, Michael Cera, Hari Nef e Will Ferrell. Con loro Kingsley Ben-Adir, Rhea Perlman, Ncuti Gatwa, Emerald Fennel, Sharon Rooney, Scott Evans, Ana Cruz Kayne, Connor Swindells, Ritu Arya e Jamie Demetriou.

La regista Greta Gerwig (Lady Bird, Piccole donne) ha scritto la sceneggiatura insieme al partner e autore Noah Baumbach (Storia di un matrimonio). Margot Robbie produrrà con la sua LuckyChap Entertainment, insieme al socio Tom Ackerley. Robbie Brenner produrrà per Mattel, David Heyman per Heyday Films. Josey McNamara di LuckyChap e Ynon Kreiz di Mattel sono i produttori esecutivi.

La data di uscita di Barbie è stata anticipata dal 30 luglio al 21 luglio 2023.

Per i poster si linkano i tre post Instagram di @warnerbrositalia che li riportano tutti quanti: https://www.instagram.com/p/CqnmT6QtNvu/?igshid=ZjE2NGZiNDQ=, https://www.instagram.com/p/Cqnm7ZKNid6/?igshid=ZjE2NGZiNDQ=, https://www.instagram.com/p/CqnnQGAt3yY/?igshid=ZjE2NGZiNDQ=.

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Edoardo Borghesio,
Redattore news.

April 4, 2023
Scorsese e Indiana Jones in anteprima a Cannes 2023

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Non è ancora stato annunciato il programma completo del 76° Festival di Cannes, ma è già ufficiale che due tra gli eventi cinematografici più importanti dell’anno vi prenderanno parte: debutteranno sulla Croisette Killers of the Flower Moon di Martin Scorsese e Indiana Jones e il quadrante del destino, diretto da James Mangold. La selezione ufficiale del Festival sarà invece comunicata il 13 aprile.

Killers of the Flower Moon

La prima mondiale del nuovo atteso film del maestro Scorsese avverrà sabato 20 maggio, nel primo weekend dell’edizione 2023, che si svolgerà da martedì 16 a sabato 27 maggio. Il red carpet di Killers of the Flower Moon, coinvolgerà, oltre al regista, anche gli attori Leonardo DiCaprio, Robert De Niro, Jesse Plemons e altri nomi del cast.

Killers of the Flower Moon figurerà nel Concorso principale del festival, la cosiddetta Sélection Officielle, dalla quale un film di Scorsese manca dal lontano 1985 con Fuori orario. Scorsese ricevette la Palma d’oro nel 1976 con Taxi Driver, e il premio come miglior regista per Fuori orario 10 anni dopo. Nel 1998 invece è stato presidente di giuria, incoronando il regista greco Theo Angelopoulos per L’eternità e un giorno.

Targato Apple Studios, Killers of the Flower Moon è stato prodotto insieme a Imperative Entertainment, Sikelia Productions e Appian Way, su script di Martin Scorsese ed Eli Roth e soggetto tratto dall’acclamato bestseller omonimo di David Grann. Ambientato negli anni ’20 in Oklahoma, racconta una serie di omicidi che avvengono nella popolazione di nativi americani nella regione di Osage, molto ricca di giacimenti di petrolio, una sequenza di crimini brutali, nota con il nome di “Regno del terrore”.

Il film original Apple Killers of the Flower Moon uscirà per la prima volta esclusivamente nelle sale negli Stati Uniti, in collaborazione con Paramount Pictures, in edizione limitata venerdì 6 ottobre e in ampia distribuzione da venerdì 20 ottobre. L’uscita in Francia è fissata per il 18 ottobre 2023, mentre quella italiana per il 19 ottobre 2023 per Rai Cinema e Leone Film Group, prima di raggiungere la piattaforma AppleTV+ verosimilmente nel 2024.

Indiana Jones e il quadrante del destino

A 15 anni dalla presentazione a Cannes nel 2008 di Indiana Jones e il regno del teschio di cristallo, diretto da Steven Spielberg, il quanto e ultimo capitolo della saga targata Lucasfilm Indiana Jones e il quadrante del destino sarà presentato in anteprima mondiale sulla Croisette di Cannes giovedì 18 maggio.

Diretto da James Mangold, il film segna il ritorno di Harrison Ford nei panni del leggendario eroe e archeologo, che sarà sul red carpet insieme alle co-star Phoebe Waller-Bridge, Antonio Banderas, John Rhys-Davies, Toby Jones, e Mads Mikkelsen. In questa occasione, il Festival renderà anche un omaggio speciale a Harrison Ford per la sua carriera, costellata di ruoli indimenticabili come Indiana Jones, Han Solo e Rick Deckard.

Il regista James Mangold partecipò a Cannes per la prima volta nel 1995, con il suo primo film Heavy, parte di Director’s Fortnite. Ventotto anni dopo, dopo numerosi successi, ritorna nella Sélection Officielle (ma fuori concorso) con l’attesissimo capitolo finale delle avventure del celebre archeologo. Questa volta Indiana Jones è alle prese di nuovo con i nazisti, che nel 1969 cercano di mettere le mani su un potente dispositivo in grado di cambiare le sorti del mondo.

Indiana Jones e il quadrante del destino, prodotto da The Walt Disney Company e Lucasfilm, coinvolge Kathleen Kennedy, Frank Marshall e Simon Emanuel produttori, e Steven Spielberg e George Lucas come produttori esecutivi. Anche stavolta l’inossidabile John Williams comporrà la colonna sonora del film. Indiana Jones 5 sarà nelle sale statunitensi dal 30 giugno 2023, mentre in quelle italiane (e francesi) già a partire dal 28 giugno 2023.

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Edoardo Borghesio,
Redattore news.

April 4, 2023
Recensione Terra e Polvere – La forza dei sentimenti e del sacrificio

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E’ finalmente approdato in Italia Terra e polvere (anche se in appena 33 sale cinematografiche), sesto lungometraggio del regista quarantenne cinese Li Ruijun e in concorso lo scorso anno per l’Orso d’oro al Festival di Berlino (vinto da Alcarràs di Carla Simón). Terra e polvere è il titolo italiano, 隐入尘烟 è quello originale (traslitterabile in Yin Ru Chen Yan), mentre in tutto il mondo è conosciuto con il titolo internazionale Return to dust (“Ritorno alla polvere”), perché l’opera di Ruijun è a tutti gli effetti un ritorno: quello del regista alla sua terra natìa (girando il film nel suo villaggio natale Huaqiangzi, nella provincia di Gansu: la maggior parte degli attori sono abitanti del posto, compreso l’attore protagonista Renlin Wu, zio del regista), e il ritorno fisico dei due protagonisti alla “polvere” come ultimo traguardo obbligato dal governo cinese.

Nel film siamo infatti nel 2011 in un territorio nel nord-ovest della Cina, dove viene narrata la storia di Youtie (Wu Renlin) e Guiying (Hai Qing), un uomo e una donna che a causa dell’età che avanza e della povertà della zona in cui vivono, cominciano a pesare sull’economia delle rispettive famiglie. Proprio per questo motivo i parenti organizzano il loro matrimonio combinato, costringendoli di fatto a un’esistenza povera e solitaria (sia socialmente che emotivamente). Tuttavia sarà proprio il legame puro e genuino della coppia a permettere di abbandonare l’alloggio rurale assegnato dallo Stato e intraprendere un duro percorso di crescita sia interiore che sociale, in cui la forza dei legami umani, quella dei sentimenti e della purezza d’animo, prevarranno su tutto, anche sulla destinazione finale a cui costringe il Paese: la morte.

Ma Youtie (Wu Renlin) e Cao Guiying (Hai Qing)

Terra

“Terra” come località, Huaqiangzi, dove Hai Qing ha vissuto diversi mesi in preparazione al suo ruolo affiancata dall’attore non professionista Wu Renlin, scelto in qualità di contadino locale con il compito di insegnarle a seminare il terreno, fare il raccolto e imparare a costruire case di mattoni di fango (compresa quella che vediamo nel film). Ma “terra” anche come appezzamento, quello che con il sacrificio e la forza di volontà, assieme al reciproco e prezioso sostegno morale, la coppia coltiva quotidianamente per uscire dall’estrema povertà in cui versa, tentando di vivere dei frutti dei terreni; è proprio in questo senso che la “terra” diviene molto di più: un simulacro dell’esistenza di Youtie e Guiying, una vita fatta di stenti e di ostacoli imposti anche dal governo e dalla società cinesi (per Ruijun non c’è differenza fra i due), i quali non provano vergogna nemmeno a togliere – letteralmente – il sangue a Youtie (già secco come le spighe di grano che coltiva), quando gli sarà chiesto di sottoporsi a trasfusioni per salvare la vita di un uomo d’affari locale.

Un governo che pensa solo alla sua propaganda, come quando offre alla coppia un nuovo appartamento in città senza preoccuparsi minimamente delle loro condizioni sociali e ben conscio dell’insostenibile portata di tale cambiamento, che costringerebbe Youtie e la moglie a mutare radicalmente vita, abbandonando tutto ciò che hanno duramente costruito e allevato, compreso il loro dolce asinello (la cui liberazione finale assume così i tratti di una liberazione interiore). La stessa propaganda che il governo propina agli agricoltori locali quando, per migliorare l’aspetto del villaggio, decide di rimediare alla demolizione delle loro case inutilizzate semplicemente con il pagamento di una somma di denaro. Un gesto tanto insignificante per gli altri agricoltori (che omertosi erano già andati a vivere nelle principali città costiere della Cina) quanto lacerante per Guiying e il marito, che dovranno costruirsi una nuova abitazione con le loro mani.

L’asino: metafora del sacrificio e del duro lavoro della coppia

Polvere

Il film è stracolmo di polvere. La polvere riempie costantemente lo schermo così come la vita dei due poveri agricoltori, perennemente avvolti in una coltre di sabbia fine che segna anche fisicamente il loro viso. “Polvere” come ultima destinazione prevista dal governo per i cittadini reticenti a sottostare ai dettami della macchina statale, quei cittadini che al pari delle loro case rase al suolo dalle ruspe, non possono che ricongiungersi alla “terra” e alla “polvere” da cui provengono per la sola colpa di aver voluto proseguire una vita di agricoltura e pochi agi.

E’ qui che subentra la visione unica e preziosa di Ruijun: laddove altri vedrebbero solo dolore e miseria, il regista riesce a dimostrarci come ancora oggi c’è qualcuno per cui contano la forza dei sentimenti e il sostegno reciproco, il sacrificio e il calore degli affetti umani, persone comuni per cui i segni lasciati su una mano da chicchi di mais potrebbero simboleggiare la vicinanza al proprio caro, anche oltre l’abisso ignoto della morte. Perché Terra e polvere è cinema sociale nella sua più pura essenza, dai ritmi dilatati e mai frenetici ma non per questo meno ficcanti e taglienti.

Infine, “polvere” come ciò che rischia di rimanere in Cina di questo film, rimosso il 26 settembre 2022 da tutte le piattaforme streaming nel territorio cinese: una decisione preceduta – per i pochi mesi in cui il film era a disposizione – dal brutale inserimento sul finale di un’apposita frase pro-governo che andava a cambiare radicalmente il senso del film. Un sintomo di come anche pellicole apparentemente pacate e innocue, possano celare al loro interno una forza sociale dirompente capace di toccare persino i vertici di un Paese. Forse il monito di Ruijun è stato avvertito, perché Terra e Polvere ha incassato in patria circa 100 milioni di yuan (14 milioni di dollari), a fronte di un budget di 2 milioni di yuan.

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Alberto Faggiotto,
Caporedattore.

April 3, 2023
#33 Strade Perdute – I volti del cinema Noir (Parte 1)

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LINK ALL’EPISODIO

In questo trentatreesimo episodio di Strade Perdute, Alessandro, Jacopo e i suoi ospiti dalla redazione Luca e Nicolò parlano di due film noir degli anni quaranta, con due delle facce più iconiche del genere: Humprey Bogart e Robert Mitchium.

Nello specifico:
– La Fuga di Delmer Daves (1947)
– Le Catene della Colpa di Jaques Tourneur (1947)

Buon Ascolto!

Potete seguire Frames Cinema qui: https://linktr.ee/framescinema

Un saluto e un ringraziamento a tutti i nostri ascoltatori e alle nostre ascoltatrici, ci sentiamo al prossimo episodio.

April 2, 2023