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Tag: Coup De Chance

  • Recensione Coup de chance – Il cinquantunesimo film di Woody Allen

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    Il cinquantesimo film di Woody Allen, presentato fuori concorso alla 80esima Mostra del Cinema di Venezia, raccoglie in sé tutte le tematiche e i canoni estetici che hanno caratterizzato la carriera del regista, a partire dal titolo: Coup de Chance (Un colpo di fortuna). È ambientato a Parigi, dove la protagonista, Fanny (Lou de Laâge) vive una vita tranquilla e molto agiata con Jean (Melvil Poupaud), il suo secondo marito. L’incontro casuale con un vecchio compagno di liceo, Alain (Niels Schneider), la spinge improvvisamente a rimettere tutto in discussione: lui coglie l’occasione per confessare di essere sempre stato innamorato di Fanny, e lei si rende conto, suo malgrado, di ricambiare con molta più passione di quella che prova per il marito. 

    I due iniziano una relazione clandestina, ignari del fatto che Jean, uomo possessivo ed estremamente influente in città, li abbia scoperti. Questo personaggio incarna l’antitesi della filosofia di Woody Allen, è abituato a manipolare la realtà a suo piacimento e non crede che la fortuna sia una forza ingovernabile. È attraverso di lui, inoltre, che si inserisce un elemento di inquietudine in quella che altrimenti avrebbe tutte le premesse e lo sviluppo di una commedia leggera. L’unica a sospettare qualcosa è Camille, la madre di Fanny in visita da New York, a cui la figlia non vuole dare ascolto. La metropoli americana non poteva mancare in questo compendio del cinema di Allen: il liceo dove Fanny ha conosciuto Alain era lì, e da lì proviene quindi la vita entusiasmante del passato che irrompe nella mondanità della borghesia parigina. La città viene citata esplicitamente poche volte da Fanny ma il contrasto netto tra le due versioni della sua vita, insieme ai ruoli di Alain e Camille che si contrappongono a Jean, rendono New York presente anche a Parigi, come se non solo i personaggi e le idee ma anche lo scenario avesse bisogno della sua antitesi concreta. 

    Il film mantiene un delicato equilibrio tra dramma e commedia, soprattutto nella prima parte, ma senza mai allontanarsi troppo dalla seconda: nonostante fosse stato annunciato come un thriller, di questo genere si colgono solamente degli indizi abbozzati. Inoltre, la fotografia di Storaro con i colori iper saturati e la colonna sonora prevalentemente jazz contribuiscono all’atmosfera romantica e mai troppo cupa. 

    Da una parte si tratta quindi di una pellicola piacevole e nella quale la cifra stilistica di Woody Allen è riconoscibile. Il caso rimane, lungo tutto l’arco narrativo, il vero padrone degli eventi: alcune decisioni dei personaggi ottengono un risultato, alcune cadono nel vuoto, ad altre si somma un elemento esterno a dirottare le conseguenze; mentre Jean si arrabbia e mobilita la sua rete di malavitosi per cercare di aggiustare man mano il corso della storia. Fanny dal canto suo reagisce istintivamente adattandosi ogni volta al contesto in cui si trova, non con indifferenza totale ma in maniera perlomeno docile, atteggiamento reso palese dalle dinamiche che si creano a seconda che si trovi con il marito o con l’amante. Dal punto di vista di questo discorso sull’esistenza o meno della fortuna, le scene finali sono intelligenti e ben orchestrate. 

    Dall’altra parte purtroppo lo svolgersi del racconto risulta poco coinvolgente a causa di una sceneggiatura rigida e a tratti trascurata, dalla quale la famosa ironia alleniana non riesce ad emergere appieno, e da una esecuzione non particolarmente appassionata. L’impressione che si ha è che il fatto che si tratti del suo primo film girato in francese, anziché in inglese, possa aver penalizzato il lavoro. I dialoghi sono spesso descrittivi ed aggiungono poco a quello che viene già mostrato, che è una serie di eventi semplici messi in moto da premesse abbastanza stereotipate. Al di là dell’ambientazione interamente francese e di alcuni dettagli, come l’uso dei colori, non si tratta sicuramente di un lavoro innovativo rispetto ai precedenti. 

    Nell’insieme, Coup de chance è una commedia discreta, un esercizio di stile indubbiamente ben confezionato ma povero di sostanza. 

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    Federica Rossi,
    Redattrice.

  • Recensione Coup de Chance – L’incontrastabile ruolo del Caso nelle vicende umane #Venezia80

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    Il nuovo film di Woody Allen, presentato fuori concorso all’80esima Mostra del Cinema di Venezia, è il piccolo gioiello che aspettavamo da tempo: una commedia francese che sembra richiamare i più bei film di François Truffaut, coronata dal delicato umorismo di uno dei migliori registi della nostra epoca.

    Il centro del racconto è la storia di Fanny, una donna ormai adulta ma con un passato da adolescente ribelle e sognatrice. Fanny ha un matrimonio fallito alle spalle, ma vive ora una storia all’apparenza perfetta col ricco Jean, il suo nuovo marito. Una vita di coppia immacolata, ineccepibile ed elegante che si svolge tra cene di gala e viaggi in Polinesia. Questa esistenza d’oro viene sconvolta però dal riverbero di un evento, un coup de chance, cioè l’incontro tra Fanny e il suo vecchio compagno di scuola Alain, da sempre innamorato di lei. Alain non è ricco ma è un poeta interessante, affascinante e divertente, e ricorda a Fanny chi fosse lei stessa in passato prima del matrimonio con un uomo tanto facoltoso quanto scialbo. Inizia così un’appassionata tresca, nata dalla sincerità di Alain nel dichiararsi stupefatto da quel colpo di fortuna per cui aveva ritrovato il suo amore giovanile e che gli sembrava dominasse la sua vita.

    La pensa diversamente Jean, convinto dell’importanza del duro lavoro e dell’autodeterminazione dell’uomo nella storia. Egli cercherà di intervenire in ogni modo nella relazione segreta di sua moglie, mettendo in atto qualsiasi mezzo per riaverla con sé. 

    Il tema della mancanza di controllo della vita e il ruolo rilevante della fortuna, leitmotiv della carriera di Allen, torna in questo film come dichiarato protagonista. L’opera esaspera un concetto fondante della filosofia del regista, che egli ha particolarmente a cuore. Viene spontaneo ripensare al famoso monologo di Match Point (Woody Allen, 2005) sulla fortuna, senza trascurare altri capisaldi della carriera del regista che pongono al centro sempre il medesimo tema. Nei suoi lavori più importanti i personaggi si incontrano in maniera fortuita, e sempre fortuitamente i rapporti possono distruggersi. Le emozioni che provano sono forti, impulsive, a volte autodistruttive ma sincere. Perché semplicemente non sono loro ad avere il controllo sulla loro vita, il loro ruolo è anzi interrogarsi sul perché gli eventi si siano svolti in quel modo.

    Annie e io abbiamo rotto e io ancora non riesco a farmene una ragione. Io… io continuo a studiare i cocci del nostro rapporto nella mia mente e a esaminare la mia vita cercando di capire da dove è partita la crepa, ecco… Un anno fa eravamo innamorati, sapete. È strano, non sono il tipo tetro, non sono il tipo deprimente.

    (Io e Annie, 1977)

    Il finale del film è quanto di più legato alla poetica di Allen potesse essere rappresentato, il coup de chance per eccellenza. Nell’ironia che lo contraddistingue suscita anche commozione, rendendo chiaro come nonostante gli anni trascorsi, i cambiamenti stilistici e la fine indiscutibile dell’epoca d’oro delle sue commedie, Allen sia sempre se stesso: continuerà a fare film, conserverà il suo umorismo e non smetterà mai di credere nella fatalità del caso.

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    Gaia Fanelli,
    Redattrice.

  • Coup De Chance – Trailer dell’ultimo film di Woody Allen

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    Il maestro del cinema Woody Allen sta per tornare al cinema con Coup De Chance, quello che sarà il suo ultimo film e sarà un film totalmente in francese, ambientato a Parigi e con un cast locale.

    Metropolitan Films, casa di distribuzione francese, ha recentemente rilasciato il primo trailer del film in francese. La versione del trailer doppiata in italiano non è ancora disponibile ma sappiamo che Lucky Red ha acquisito i diritti per la distribuzione in Italia, inoltre la pellicola dovrebbe uscire nel settembre 2023.

    LINK TRAILER IN FRANCESE 

    Non si sa molto della trama ma dovrebbe raccontare una storia d’amore tra due amici di lunga data. La storia tra i due, dopo un periodo burrascoso, scaturirà nel crimine.

    Nel trailer spiccano le scenografie romantiche, la colonna sonora e i vari personaggi caratterizzati dalla classica comicità di Woody Allen.

    Il cast è formato da Lou de Laâge, Valérie Lemercier, Melvil Poupaud e Niels Schneider, che come detto precedentemente sono tutti attori francesi.

    La sceneggiatura e la regia sono chiaramente proprietà di Woody Allen che con questo firma il suo 50esimo film e come ha già ripetuto più volte, questo sarà anche l’ultimo della sua storica carriera.

    La pellicola è stata precedentemente presentata all’European Film Market di Berlino e secondo alcuni, il film ricorderebbe Match Point (2005), altra grandiosa opera del regista, con protagonista Scarlett Johansson.

    Il film uscirà nelle sale francesi a partire dal 27 settembre 2023, mentre per quanto riguarda l’Italia non si ha ancora una data ma sappiamo che il film arriverà grazie alla distribuzione di Lucky Red.

    Non ci resta che aspettare, quindi, altre notizie riguardanti la pellicola e per questo potete seguirci per rimanere sempre aggiornati.

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    Michael Pierdomenico,
    Redattore news.