FRAMES CINEMA

Tag: povere creature

Top 10 2024 – Frames Cinema Awards
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Anche quest’anno non potevano mancare i Frames Cinema Awards, in cui vi sveliamo la nostra Top 10 di redazione. Non perdetevi anche l’articolo in cui i nostri redattori parlano di film che li hanno colpiti, spesso film che non sono finiti nella nostra Top finale. Lo trovate qui.

Prima di svelare la tanto attesa Top 10 di redazione, vi spieghiamo in breve i criteri usati per redigerla. Ogni redattore ha avuto il compito di assegnare ad ogni film visto uscito in Italia (in sala o nelle piattaforme) durante l’anno 2024 un voto da 1 a 100. Dopodiché, ad ogni film veniva anche assegnato un punteggio bonus derivante dalle top 10 di ogni redattore (10 punti al primo, 9 punti al secondo, 1 punto al decimo…). Il bonus si sommava con la media voto del film, ricavando così il punteggio finale.
1. Challengers (Luca Guadagnino) – 173,08
2. Povere creature! (Yorgos Lanthimos) – 152,09
3. The Substance (Coralie Fargeat) – 151,57
4. La zona d’interesse (Jonathan Glazer) – 149,17
5. Il ragazzo e l’airone (Hayao Miyazaki) – 144,81
6. Estranei (Andrew Haigh) – 123,41
7. Giurato numero 2 (Clint Eastwood) – 123,00
8. Dune parte II (Denis Villeneuve) – 119,61
9. Conclave (Edward Berger) – 117,29
10. Perfect Days (Wim Wenders) – 113,13
Per concludere, volevamo ringraziare tutti coloro che in questo 2024 ci hanno seguito. Grazie ai lettori di questo sito e grazie anche a chi ascolta il nostro podcast Strade Perdute. Vi auguriamo un 2025 pieno di cinema.

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Rosario Azzaro,
Caporedattore.
January 2, 2025
Oscar 2024 – Tutti i vincitori

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Si è conclusa da poche ore la 96esima edizione degli Oscar e a trionfare su tutti è stato Oppenheimer di Christopher Nolan seguito da Povere Creature!, proprio come ci si aspettava, ma analizziamo meglio tutta la serata.

La cerimonia, tenutasi nel Dolby Theatre di Los Angeles, è andata in onda in Italia nella notte tra domenica 10 e lunedì 11 marzo con un importante ritorno, dopo vent’anni dall’ultima volta, della trasmissione in chiaro sulla Rai.

A condurre la cerimonia torna dallo scorso anno Jimmy Kimmel che firma così la sua quarta conduzione degli Oscar. La serata si presenta infatti simile a quella della scorsa edizione, senza grandi colpi di scena.

I premi attoriali

Si comincia con l’assegnazione del premio alla miglior attrice non protagonista che viene annunciata da Jamie Lee Curtis, vincitrice della stessa categoria nello scorso anno, e vinta da Da’Vine Joy Randolph, per il suo personaggio in The Holdovers, che si lascia andare in un commovente discorso sull’accettazione di se stessi e ai vari ringraziamenti di cui uno speciale a sua madre. A seguire il premio per il miglior attore non protagonista, annunciato da Ke Huy Quan, vinto da Robert Downey Jr. che dedica il premio alla sua “terribile infanzia”, alla moglie che ringrazia per essersi presa cura di lui come un veterinario con un cucciolo ed infine al suo avvocato che lo ha salvato da molte situazioni.

Passando ai ruoli da protagonista vediamo premiato prima Cillian Murphy per Oppenheimer che dedica il premio ai suoi parenti e all’Irlanda, suo paese di origine, lanciando infine un messaggio di pace, per poi arrivare alla migliore attrice in cui trionfa Emma Stone per Povere Creature! a scapito della “favorita” Lily Gladstone a cui la Stone dedica il premio assieme alle altre attrici candidate ringraziando poi il regista per avergli dato la possibilità di interpretare un ruolo così importante.

I trionfi internazionali

Spazio per le pellicole internazionali che trionfano nella categoria dedicata ma anche in altre ambite categorie. In primis vediamo la vittoria de Il Ragazzo e L’Airone come miglior film d’animazione portando Hayao Miyazaki a quota 3 premi Oscar ricevuti. Altri importanti trionfi sono quelli di Godzilla Minus One per i migliori effetti speciali (primo film orientale a vincere questo premio), Anatomia Di Una Caduta per la miglior sceneggiatura originale e La Zona D’Interesse per il miglior sonoro.

Infine quest’ultima pellicola diretta da Jonathan Glazer guadagna anche l’ambita statuetta per il miglior film internazionale con il regista che lancia un grande messaggio di pace vedendo il male da ambo i lati del conflitto. Niente statuetta invece per Io Capitano di Matteo Garrone.

Premi tecnici e le esclusioni

A guidare questa serie di premi troviamo proprio Oppenheimer con ben 4 statuette tra cui miglior fotografia, miglior montaggio, miglior colonna sonora e miglior regista. A seguire Povere Creature! con 3 premi tecnici tra cui miglior scenografia, migliori costumi e miglior trucco e acconciature lasciando a bocca asciutta Barbie. I grandi esclusi però sono Killers Of The Flower Moon e Maestro che tornano a casa con 0 statuette nonostante le molte nomination (10 per il film di Martin Scorsese).

Esibizioni musicali

Tra le interpretazioni per la miglior canzone spiccano quelle di Billie Eilish e Finneas O’Connell che hanno vinto l’Oscar per la categoria con il brano “What Was I Made For?” da Barbie e l’esuberante esibizione di Ryan Gosling e Mark Ronson con “I’m Just Ken” sempre da Barbie con l’inaspettata partecipazione del chitarrista Slash.

I momenti più divertenti

I pochi momenti “divertenti” della serata sono stati la presenza del cane Messi di Anatomia di una caduta (al centro di polemiche nei giorni precedenti); John Cena che compare quasi completamente nudo per un piccolo sketch; ed infine una frecciatina di Jimmy Kimmel a Donald Trump che aveva criticato il conduttore in diverse occasioni.

La statuetta più ambita, ovvero quella al miglior film, è stata presentata da Al Pacino che annuncia la vittoria di Oppenheimer che trionfa definitivamente in questa edizione portandosi con sé un gran consenso del pubblico.

Varie polemiche

Come ogni anno gli Oscar portano molte polemiche tra il pubblico sia nel periodo precedente alla cerimonia che successivo. Quest’anno non è da meno con persone che si lamentavano della non candidatura di Greta Gerwig e Margot Robbie, rispettivamente come miglior regista e miglior attrice, gridando allo scandalo senza però considerare le altre meritate candidature al femminile. Queste polemiche svaniscono con la cerimonia dopo la vittoria di 6 donne nelle categorie generali (quindi senza contare quelle riservate ad un solo sesso), un grande passo rispetto ad altre edizioni.

Un’altra piccola polemica è la vittoria della Stone rispetto alla Gladstone anche se questa è meno sentita data l’incredibile bravura di entrambe le attrici

Ma adesso arriviamo al sodo elencando tutti i candidati e i vincitori degli Oscar 2024:

Miglior film

American Fiction

Anatomia di una Caduta

Barbie

The Holdovers

Killers Of The Flower Moon

Maestro

Oppenheimer

Past Lives

Povere Creature!

La Zona D’Interesse

Migliore regista

Justine Triet – Anatomia di una Caduta

Jonathan Glazer – La Zona D’Interesse

Yorgos Lanthimos – Povere Creature!

Christopher Nolan – Oppenheimer

Martin Scorsese – Killers Of The Flower Moon

Miglior attore protagonista

Bradley Cooper – Maestro

Colman Domingo – Rustin

Paul Giamatti – The Holdovers

Cillian Murphy – Oppenheimer

Jeffrey Wright – American Fiction

Miglior attrice protagonista

Annette Bening – Nyad

Lily Gladstone – Killers Of The Flower Moon

Sandra Hüller – Anatomia di una Caduta

Carey Mulligan – Maestro

Emma Stone – Povere Creature!

Miglior attore non protagonista

Sterling K. Brown – American Fiction

Robert De Niro – Killers of the Flower Moon

Robert Downey Jr. – Oppenheimer

Ryan Gosling – Barbie

Mark Ruffalo – Povere creature!

Miglior attrice non protagonista

Emily Blunt – Oppenheimer

Danielle Brooks – Il colore viola

Jodie Foster – Nyad

America Ferrera – Barbie

Da’Vine Joy Randolph – The Holdovers

Miglior sceneggiatura originale

Anatomia di una caduta – Justine Triet, Arthur Harari

The Holdovers – David Hemingson

Maestro – Bradley Cooper, Josh Singer

May December – Samy Burch, Alex Mechanik

Past Lives – Celine Song

Miglior sceneggiatura non originale

American Fiction – Cord Jefferson

Barbie – Greta Gerwig, Noah Baumbach

La zona d’interesse – Jonathan Glazer

Oppenheimer – Christopher Nolan

Povere creature! – Tony McNamara

Miglior film internazionale

Io, Capitano – Matteo Garrone (Italia)

Perfect days – Wim Wenders (Giappone)

La società della neve – Juan Antonio Bayona (Spagna)

The Teachers’ Lounge – İlker Çatak (Germania)

La Zona d’interesse – Jonathan Glazer (Regno Unito)

Miglior film d’animazione

Il Ragazzo e l’Airone – Hayao Miyazaki

Elemental – Peter Sohn

Nimona – Troy Quane, Nick Bruno

Robot Dreams – Pablo Berger

Spider-Man: Across the Spider-Verse – Joaquim Dos Santos, Kemp Powers, Justin K. Thompson

Miglior fotografia

El Conde – Edward Lachman

Killers of the Flower Moon – Rodrigo Prieto

Maestro – Matthew Libatique

Oppenheimer – Hoyte Van Hoytema

Povere creature! – Robbie Ryan

Miglior montaggio

Anatomia di una caduta – Laurent Sénéchal

The Holdovers – Kevin Tent

Killers of the Flower Moon – Thelma Schoonmaker

Oppenheimer – Jennifer Lame

Povere creature! – Yorgos Mavropsaridis

Migliori effetti visivi

The Creator

Godzilla Minus One

Napoleon

Mission: Impossible – Dead Reckoning (Parte Uno)

Guardiani della galassia vol. 3

Miglior sonoro

Maestro

Oppenheimer

La zona d’interesse

Mission: Impossible – Dead Reckoning

The Creator

Miglior colonna sonora

American Fiction – Laura Karpman

Indiana Jones e il quadrante del destino – John Williams

Killers of the Flower Moon – Robbie Robertson

Oppenheimer – Ludwig Göransson

Povere creature! – Jerskin Fendrix

Miglior canzone originale

“It never went away” da American Symphony – Jon Batiste, Dan Wilson

“I’m Just Ken” da Barbie – Ryan Gosling, Mark Ronson, Andrew Wyatt

“What was I made for?” da Barbie – Billie Eilish, Finneas O’Connell

“The Fire Inside” da Flamin’ Hot – Diane Warren

“Wahzhazhe” da Killers of the Flower Moon – Scott George

Miglior scenografia

Barbie – Sarah Greenwood, Katie Spencer

Killers of the Flower Moon – Jack Fisk, Adam Willis

Napoleon – Arthur Max, Elli Griff

Oppenheimer – Ruth De Jong, Claire Kaufman

Povere creature! – Shona Heath, Zsuzsa Mihalek, James Price

Miglior trucco e acconciature

Golda

La società della neve

Maestro

Oppenheimer

Povere creature!

Migliori costumi

Barbie – Jacqueline Durran

Killers of the Flower Moon – Jacqueline West

Napoleon – Janty Yates, David Crossman

Oppenheimer – Ellen Mirojnick

Povere creature! – Holly Waddington

Miglior documentario

Bobi Wine: The People’s President

The Eternal Memory

20 Days in Mariupol

Four Daughters

To Kill a Tiger

Miglior cortometraggio

The After

Invincible

The shepherd

Strange way of Life

The Wonderful Story of Henry Sugar

Miglior cortometraggio documentario

The ABCs of Book Banning

The Barber of Little Rock

Island in Between

The Last Repair Shop

Nǎi Nai & Wài Pó

Miglior cortometraggio animato

Letter to a pig

Ninety-Five Senses

Our Uniform

Pachyderme

War is Over! Inspired by the Music of John & Yoko

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Michahel Pierdomenico,
Redattore.

March 11, 2024
Oscar 2024 – Dove vedere tutti i film candidati
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Articolo in costante aggiornamento!

Gli Oscar sono il premio cinematografico più importante del mondo (e vi rimandiamo a questo articolo per capire il motivo per cui sono anche i più seguiti e amati). In questo articolo non faremo pronostici, ma un riepilogo di dove poter trovare tutti i film che hanno ottenuto almeno una nomination. Buona visione!

Lungometraggi
- American Symphony (Netflix)
- El Conde (Netflix)
- La società della neve (Netflix)
- Maestro (Netflix)
- Nimona (Netflix)
- Nyad (Netflix)
- Rustin (Netflix)
- Across the Spider-Verse (Prime Video)
- American Fiction (Prime Video)
- Killers of the Flower Moon (Prime Video)
- Elemental (Disney+)
- The Creator (Disney+)
- Flamin’ Hot (Disney+)
- Indiana Jones e il quadrante del destino (Disney+)
- Guardiani della Galassia 3 (Disney+)
- Bobi Wine (Disney+)
- Io Capitano (NOW)
- Mission Impossible: Dead Reckoning Parte 1 (NOW)
- Barbie (Infinity+)
- Napoleon (Apple TV+)
Alcuni dei film più importanti e apprezzati dal pubblico sono disponibili in streaming, ma solo su noleggio. Ecco l’elenco:
- Anatomia di una caduta (disponibile solo su noleggio)
- Oppenheimer (disponibile solo su noleggio)
Purtroppo anche quest’anno sono tanti i film candidati che non sono ancora disponibili in streaming, anche se alcuni di questi potete ancora vederli al cinema mentre altri usciranno solo nelle prossime settimane (controllate la programmazione della vostra sala di fiducia!). Ecco l’elenco:
- 20 Days in Mariupol
- Four Daughters
- Godzilla Minus One
- Golda
- Il colore viola
- Il mio amico robot
- Il ragazzo e l’airone
- La zona d’interesse
- May December
- Past Lives
- Perfect Days
- Povere creature!
- The Eternal Memory
- The Holdovers
- The Teachers’ Lounge
- To Kill a Tiger
Cortometraggi
- Invincible (Vimeo)
- Island in Between (Youtube)
- Letter to a Pig (non disponibile in streaming)
- Nǎi Nai & Wài Pó (non disponibile in streaming)
- Ninety-Five Senses (non disponibile in streaming)
- Our Uniform (non disponibile in streaming)
- Pachyderme (non disponibile in streaming)
- Strange Way of Life (MUBI)
- The ABCs of Book Banning (Paramount+)
- The After (Netflix)
- The Barber of Little Rock (Youtube)
- The Last Repair Shop (Disney+)
- The Shepherd (Disney+)
- The Wonderful Story of Henry Sugar (Netflix)
- War is Over! Inspired by the Music of John & Yoko (non disponibile in streaming)
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February 20, 2024
#47 Strade Perdute – Povere Creature! di Yorgos Lanthimos

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LINK ALL’EPISODIO

In questo quarantasettesimo episodio di Strade Perdute, Jacopo, Alessandro e la loro ospite dalla redazione Anna esprimono il loro parere a caldo sull’ultimo film di Yorgos Lanthimos: Povere Creature!

Buona ascolto!

Scopri il mondo di Frames Cinema qui: https://linktr.ee/framescinema

February 2, 2024
Recensione Povere Creature! – Palingenesi del femminile

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In Concorso alla 80. Mostra Internazionale d’Arte Cinematografica di Venezia con Povere Creature! torna Yorgos Lanthimos, che per l’occasione, oltre al suo usuale cinema grottesco, ritrova anche l’attrice protagonista del suo ultimo La Favorita, Emma Stone, accanto a Willem Dafoe e Mark Ruffalo. Su sceneggiatura di Tony McNamara il film adatta sul grande schermo l’omonimo romanzo di Alasdair Gray pubblicato nel 1992, di cui calca più o meno fedelmente il plot di partenza.

In una Londra steampunk a cavallo fra science fiction e puro surrealismo cinematografico, il film narra la storia di Bella Baxter, giovane ragazza frutto dell’esperimento del poco ortodosso dottor Godwin Baxter (soprannominato God), che ha riportato in vita la donna innestando nella sua testa il cervello del feto che aveva in grembo. Bella cresce sotto l’egida dello scienziato ma spinta dal desiderio di emancipazione e di esplorare il mondo esterno, fugge dalla dimora assieme all’avvocato libertino e debosciato Duncan Wedderburn per intraprendere un viaggio attraverso Lisbona, Alessandria, Parigi e Londra.

Il weird lanthimosiano

Yorgos Lanthimos è balzato agli occhi del grande pubblico per il suo cinema mai accomodante, abrasivo e senza mezzi termini: un gioco fin troppo facile? Non direi. E’ vero che ci vuole davvero poco a sprofondare con tutti gli stivali nel fango del weird gratuito (Il sacrificio del cervo sacro), ma molte volte ha centrato l’obiettivo (Dogtooth, The Lobster, La Favorita), acquisendo il pregio di aver reso internazionale la Greek Weird Wave – la nuova ondata di cinema indipendente greco che grida le esigenze politiche e sociali del Paese – portandola ai grandi Studios e ai grandi premi: Povere Creature! è il terzo incontro fra il regista e la Mostra del cinema di Venezia, che lo accolse ormai dodici anni fa assegnando la Miglior sceneggiatura ad Alps, mentre La Favorita era stato presentato in Concorso nel 2018 e candidato anche al Queer Lion (il premio attribuito dal 2007 ai film che affrontano la Queer Culture). Se già quest’ultimo era un progetto tutto al femminile che esplorava senza censura l’omosessualità nel XVIII secolo, ora si resta in epoca vittoriana per indagare l’emancipazione femminile in una rilettura fantaweird del Frankestein di Mary Shelley.

Godwin Baxter (Willem Dafoe) e la figlia Bella (Emma Stone)

La sovversione femminista di Frankenstein

Bella rinasce dopo la morte. Dopo essere stata soggiogata dal compagno. Dopo il suicidio. Palingenesi. Rinascita. Rigenerazione. Quella del femminile. Rinasce grazie a Dio. God, appunto. Dio prende un feto e lo impianta nel cranio di una donna. Così Dio crea il suo giocattolo, la sua Barbie, potremmo dire. Ma il paragone non è assolutamente avventato. In qualità di demiurgo, God si crede il suo padrone. Chissà perché alla fine si torna sempre lì, a uno dei romanzi fondatori della science fiction e dell’horror gotico: Frankenstein, ovviamente. Il significato lo sappiamo, la storia dell’uomo che voleva farsi Dio. Ma anche l’ingiusta paura dell’uomo verso tutto ciò che non conosce. Anche se declinato al femminile, Bella un po’ come il vecchio Frankenstein ha un problema: è una bambina nel corpo di una donna. Per la precisione Bella impara quindici parole al giorno e i capelli crescono di 2,5cm. L’inizio di Povere Creature! è muto per qualche minuto, in bianco e nero: God urlando sputa bolle dalla bocca. Chissà perché vedendo Dafoe sputare grottescamente quelle bolle a bocca spalancata in bianco e nero, la testa ha pensato subito all’episodio otto di Twin Peaks: The Return (Gotta Light?), dove nasceva Bob, il male. Genesi. Forse per la scena immortale della bambina con la bocca aperta al cui interno entrava quella specie di insetto ripugnante. O probabilmente per libera associazione di idee. Fatto sta che Bob era il male primordiale, assoluto. God invece è già Dio. Così come in realtà è già Frankenstein, col volto martoriato e stravolto dalle cicatrici. Ed è anche già il male. Un Dio-maschio che (ri)dà vita al femminile per farsi suo creatore. Prima cosa da fare nella lista? Cercare di sterilizzarla. Dio è eunuco, impotente. Lo deve essere anche la sua creatura inizialmente ingenua, infantile, incapace di intendere e per questo quasi prigioniera del Dio-padre. Ma Bella crescerà a vista d’occhio e con essa anche il suo desiderio di emancipazione. Così arrivano i colori. Una palette dalle tinte ipersature deformate dal fish-eye di Lanthimos come fossimo in un quadro surrealista, proprio nel momento in cui Bella deciderà di scappare via.

La palette colori ipersaturata scelta da Lanthimos

Uscire dalla gabbia. Fuggire. Non sappiamo se sia per non farci più ritorno. Ricordate invece che cosa chiedeva il mostro allo scienziato nel libro di Mary Shelley? Di creare un altro essere come lui ma di genere opposto. Cosa faceva invece la gente comune di fronte al mostro? Esatto: scappava. Reverse. Ora tutti vogliono il mostro, nessuno fugge: come Alice nel Paese delle Meraviglie, Bella si imbarcherà in un viaggio attraverso un mondo stravagante a cavallo fra realtà e immaginazione, passerà per diversi Paesi dove, crescendo, come tutti avrà le prime crisi adolescenziali, scoprirà le disuguaglianze sociali ma ovviamente vorrà esplorare anche la sua sessualità (con cui aveva già avuto un primo approccio all’inizio nella scena del cetriolo, divertentissima come tante altre). A Bella piace il sesso e tutti la cercano. E lei ci sta, senza alcun problema. Lanthimos non preme il freno sulla macchina da presa, come suo solito. La stone è straordinaria. A questo punto Duncan la vorrebbe tutta per sé, ma a Bella non piace la monogamia. Si fa anche pagare. E ne va fiera. Lei è pura e realista, come ama definirsi, ma questo a Duncan non va giù. Nel suo viaggio però Bella conosce, studia, comprende che qualcosa non va in quello stravagante mondo tutto sgargiante e a colori. Capisce che qualcosa deve cambiare. Quando ritorna dal suo creatore scopre che God senza Bella sta morendo. Dio si spegne, ma intanto Bella non si deprime mica, anzi, una volta morto Dio, lei vuole vendetta verso l’uomo che la teneva prigioniera e che l’aveva costretta al suicidio. Forse alla fine Bella vincerà, ribalterà la situazione, incatenerà il maschio. Ora l’Alice/Frankenstein di Lanthimos ha un nuovo cagnolino.

Povere Creature! diventa così uno dei pochi film dell’ondata femminista degli ultimi anni degno di tale nome, perché pur essendo più semplice e diretto degli altri lavori del regista ci crede fino in fondo, resta coerente e sincero con lo spettatore, forma e contenuto si sposano alla perfezione. Un’opera visionaria che ribalta le premesse del romanzo di Mary Shelley per elevarsi a film-manifesto. La donna è rinata, finalmente. Non è più sottomessa. Un film che con il passare del tempo acquisirà sempre più importanza.

Povere Creature! uscirà nei cinema italiani il 25 gennaio 2024.

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Alberto Faggiotto,
Caporedattore.

January 26, 2024
Poor Things! – Il trailer del nuovo film di Yorgos Lanthimos con Emma Stone

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Qualche settimana fa Searchlight Pictures ha rilasciato il primo teaser trailer di Poor Things! (in italiano tradotto in Povere Creature!), il nuovo film diretto da Yorgos Lanthimos con protagonista Emma Stone.

Solo due giorni fa è stato pubblicato il breve video doppiato in italiano (potete visionarlo cliccando qui) e ad oggi possiamo già ammirare il trailer finale della pellicola in questione.

LINK TRAILER IN LINGUA ORIGINALE

LINK TRAILER IN ITALIANO

https://youtu.be/W6fNi6vtrSc

Nel trailer, oltre ai vari personaggi, vengono mostrati più dettagli riguardanti la trama del film mentre spiccano ambientazioni futuristiche visivamente straordinarie.

Trama del film: L’incredibile storia e la fantastica evoluzione di Bella Baxter, una giovane donna riportata in vita dal brillante e non ortodosso scienziato Dr. Godwin Baxter. Sotto la protezione di Baxter, Bella è desiderosa di imparare. Affamata della mondanità che le manca, Bella scappa con Duncan Wedderburn, un avvocato scaltro e dissoluto, in una vorticosa avventura attraverso i continenti. Libera dai pregiudizi del suo tempo, Bella diventa ferma nella sua determinazione a difendere l’uguaglianza e la liberazione.

Il cast è formato dalla già citata Emma Stone a cui si aggiungono Willem Dafoe, Mark Ruffalo, Ramy Youssef (Mr. Robot), Margaret Qualley (Sanctuary), Christopher Abbott (Sanctuary), Kathryn Hunter (Macbeth) e Jerrod Carmichael (Cattivi Vicini).

Il film segna la seconda collaborazione tra Emma Stone e Yorgos Lanthimos. Quest’ultimo infatti ha diretto il film La Favorita (2018), in cui era protagonista proprio la Stone, con sceneggiatura scritta da Tony McNamara che, come l’attrice Oscar, torna a collaborare con il regista greco per questo adattamento del racconto scritto da Alasdair Gray.

Oltre ad essere protagonista del film, Emma Stone compare anche come produttrice assieme a Lanthimos e a Searchlight Pictures.

Il film sarà distribuito da The Walt Disney Company Italia e arriverà nelle sale italiane a partire dal 12 ottobre 2023.

Curiosi per il nuovo film di Lanthimos? Se conoscete il regista potete ascoltare le due puntate del nostro podcast dedicate alla sua monografia (Link parte 1, Link parte 2).

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Michael Pierdomenico,
Redattore news.

June 9, 2023